STORIES

A/l
"Achilles Heel" ('New Yorker' 1 November, 1958; Collection Two, 1964)

8 page holograph manuscript
5 page typescript with holograph revisions
10 page clean typescript 11 page carbon typescript
A/2
"Adventure" ('Atlantic Monthly', January, 1953)
8 page clean typescript of an early draft, mispaginated
Long galleys from magazine printing, with one holograph note
Photocopy of published text, differing from manuscript drafts
A/2.1
"After 14 Years" - photocopy

A/3
"The American Wife" ('New Yorker' 25 March, 1961; Collection Three, 1969)
10 page clean typescript of an early draft, mispaginated
11 page carbon typescript
9 page carbon typescript
12 page typescript, titled by hand with a few holograph changes
10 page carbon typescript with extensive holograph alterations
11 page carbon typescript, clean
Galleys from magazine printing, corrected in holograph tearsheets from 'New Yorker' with annotations by editor for collection in book form
A/4
"An Act of Charity" ('New Yorker' 6 May, 1967; Collection Three; 1969)
3 page untitled carbon typescript of an early plot sketch
5 page partial typescript titled "The Professional"
11 page clean typescript titled "The Professional", complete
11 carbon typescript of "The Professional" with one holograph alteration
8 page partial typescript titled "The Old Pro"
10 page carbon typescript of above, retitled "Accessory" by hand, with several holograph emendations
2 page typed worksheet with notes by Harriet Sheehy, with a letter from 'New Yorker' editor
Galleys from magazine printing, retitled "And Then It Was Just As Though It Never Happened," extensively corrected in holography by Harriet Sheehy
Tearsheets from magazine printing
11 page photocopies typescript, heavily annotated with editorial notes for
publication in book form
A/5
"Anchors" ('Harper's Bazaar' October, 1952; Collection Three 1969)
9 page carbon typescript with one holograph note Booklet specially made by an admirer from magazine tearsheets
A/6
"Androcles and the Army" ('Atlantic Monthly' May, 1958; Collection Two,1964)
8 page carbon typescript, clean 9 page typescript, lightly annotated in holograph pencil
A/6.1
"Babes in the Wood" tearsheets

A/7
"A Bachelor's Story" ('New Yorker' 30 July, 1955; Domestic Relations, 1957)
9 page carbon typescript with a few holograph emendations tearsheets from magazine printing
A/7.1
"Baptismal" typescript & tearsheets

A/8
"The Cheat" ('Saturday Evening Post' 8 May, 1965; Collection Three, 1969)
9 page clean typescript, titled "Betrayal" 11 page carbon typescript, clean 10 page carbon typescript, clean, published version tearsheets from magazine publication
A/9
"The Conversion" ('Harper's Bazaar' March, 1951)
8 page carbon typescript, titled "Where There is Nothing," mispaginated, with a few editorial notations by Harriet Sheehy tearsheets from 'Sunday Independent' where the story was reprinted in 1967
A/10
"The Corkerys" ('New Yorker' 30 April, 1966; Collection Three, 1969)
12 pagesh Times' 28 March, 1942, as "Solo on Gabriella's Trumpet"
6 page carbon typescript titled "On Piper's Bands" with a few light holograph corrections tearsheets from two magazine publications, including the original appearance in 'Irish Times', both versions different
A/12
"A Counsel for Oedipus" (More Stories, 1954; "The World of Law" Vol. I, No. 13, as "Counsel for Oedipus")
19 page typescript, double spaced, titled "Domestic Relations" clean. An early draft
8 page typescript titled "Cruelty" with "Counsel for Oedipus" in holograph, several holograph emendations
10 page carbon typescript titled "Counsel for Oedipus" with several holograph emendations
11 page clean typescript titled "Counsel for Oedipus"
12 page clean typescript titled "Counsel for Oedipus"
13 page typescript with several holograph notations and changes
13 page carbon of above, clean
A/13
"The Custom of the Country" (English Story: Sixth Series, 1945; The Common Chord, 1947)
17 page typescript, clean, an early version
19 page typescript, clean
18 page typescript, clean, possibly a transcription from The Common Chord
A/14
"Darcy in the Land of Youth" ('New Yorker' 15 January, 1949; Traveller's Samples, 1951)
24 page carbon typescript with a few holograph emendations
20 page carbon typescript heavily revised in holograph
29 page carbon typescript, double spaced, with extensive and often heavy holograph revision
19 page clean typescript Tearsheets from magazine publication
A/15
"Daydreams" ('New Yorker' 23 March, 1957; Domestic Relations, 1957)
8 page carbon typescript, very lightly corrected in pencil
8 page ribbon copy of above, clean
Single page of carbon typescript of the opening page, titled "Sir Gallahad"
A/16
"Don Juan Retired" (The Common Chord, 1947)
8 page typescript with some light holograph emendation
9 page carbon typescript, clean
A/16.1
"Drunkard" tearsheets

A/17
"The Duke's Children" ('New Yorker' 16 June, 1956)
5 page clean typescript
7 page carbon typescript, missing one page, with extensive holograph
alteration
12 page carbon typescript, double spaced, clean
Tearsheets from magazine publication
A/18
"Eternal Triangle" ('Cornhill Magazine' Autumn, 1951 as "The Rising"; 'Atlantic Monthly' October, 1954 as "The Tram"; More Stories, 1954)
14 page carbon typescript with extensive holograph emendation
15 page carbon typescript, double spaced, clean
11 page carbon of above
A/19
"The Exile's Return" ('Spectator' 24 November, 1950 as "What the Neighbors Think"
20 page mixed typescript and holograph manuscript pages from various drafts
A/20
"Expectation of Life" ('New Yorker' 13 August, 1955; Domestic Relations, 1957)
9 page carbon typescript titled "The Old Maid" with extensive holograph emendation 8 page partial carbon typescript, heavily corrected and emended in holograph leaves, very heavily corrected and emended in holograph
12 page carbon typescript, heavily corrected in holograph
Tearsheets from magazine publication
A/21
"The Face of Evil" ('New Yorker' 3 April, 1954; More Stories, 1954)
11 page clean typescript, with carbon of same
9 page typescript with several holograph emendations
Tearsheets from magazine publication
A/22
"Father & Son" (More Stories, 1954)
12 page carbon typescript with some holograph emendation
9 page typescript titled "Tears" scored through with "Father and Son" in holograph
8 page clean typescript
9 page clean typescript
Carbon of above with a few light holograph emendations
10 page carbon typescript, clean
A/22.1
"First Confession" tearsheet ("Repentance"), xerox, letters

A/22.2
"First Love" - published as "Crossroads" - tearsheet

A/23
"Fish For Friday" ('New Yorker' 18 June, 1955; Domestic Relations, 1957)
18 page carbon typescript, very lightly revised in holograph
12 page typescript, clean
Tearsheets from magazine publication
A/23.1
"Flowering Trees" tearsheets, xerox

A/24
"The Frying Pan" (The Common Chord, 1947)
11 page typescript with one holograph insertion
11 page photocopied typescript, possibly a transcription from The Common Chord
A/25
"The Genius" Mademoiselle' May, 1954; Domestic Relations, 1957)
5 page carbon typescript titled "My First Love" with some holograph insertions
3 page holograph manuscript titled "Old Fashioned Brother," a brief early version
5 page clean typescript titled "The Sissy"
10 page carbon typescript titled "The Sissy," scored through with "Where Babies Come From" in holograph and heavy holograph revision to the text
8 page typescript titled "The Sissy" very lightly corrected
1 page typescript, the first page only of a different draft, titled "The Sissy"
12 page carbon typescript titled "The Genius" with extensive holograph emendation
Tearsheets from magazine publication ("The Sissy")
A/26
"Ghosts" ('Atlantic Monthly' 1972)
12 page carbon typescript of an early draft (circa 1940s) lightly corrected in holograph
Photocopy of above with editorial notes by Harriet Sheehy for posthumous publication
Galleys from magazine publication
A/27
"A Great Man" ('New Yorker' 10 May, 1958; Collection Three, 1969)
6 page typescript, titled "Father and Daughter" scored through with "A Great Man" in holograph and very heavy holograph revision to the text
7 page typescript, very extensively emended and expanded in holograph
8 page typescript, clean
10 page typescript with some marginal comments in an editor's hand
10 page typescript, the setting copy with notations by a copy editor
10 page carbon of above, clean
Galleys from magazine publication, no corrections
Tearsheets from magazine publication
A/28
"The Grip of the Geraghtys"
14 page carbon typescript of an early version (circa 1940s) heavily revised and expanded in holograph
2 page typescript titled "Long Roads and Stony Ditches," a complete, brief draft, evidently a new attempt at a rewrite
2 page typescript titled "Intellectual Companionship" with a holograph insertion of about ten words
8 page typescript titled "Romance and Reality" scored through, with "Intellectual Companionship" in holograph, lightly revised
17 page clean typescript titled "The Grip of the Geraghtys"
A/29
"Guests of the Nation" ('Atlantic Monthly' January, 1931; Guests of the Nation, 1931 and many times subsequently. Below MSS from later versions, probably used in assembling Collection Two, 1964)
12 page typescript, clean
3 page carbon typescript, beginning only
11 page clean typescript, transcribed from Guests of the Nation
Tearsheets from a French translation in "Figaro Literature," 1968
A/29.1
"Idealist" tearsheets

A/30
"The Impossible Marriage" ('Woman's Day' March, 1957; Collection Three, 1969)
13 page carbon typescript titled "Only Children," clean
16 page carbon typescript, clean
Tearsheets from magazine publication
Small file of related correspondence with 'Woman's Day' editors
A/30.1
"In the Train" tearsheets

A/31
"Jerome" (Traveller's Samples, 1951; More Stories, 1954)
11 page carbon typescript, clean, with carbon versions of a different: story on versos
13 page typescript with extensive holograph emendation; labeled "New Version 5-6-54" by Harriet Sheehy
A/32
"Judas" ('New Yorker' 26 October, 1946; The Common Chord, 1947; More Stories, 1954 and Collection Two, 1964)
5 page typescript stated "First Draft Only," labeled "For Broadcast on Radio" by Harriet Sheehy, titled "Night of Stars"
11 page typescript, double spaced, titled "Night of Stars" with a few holograph emendations and radio cues, signed and dated by Frank O'Connor, 1941
10 page clean typescript, titled "Judas"
9 page clean typescript
Tearsheets from magazine publication
Xerox of 11 page typescript above and xerox of holograph
A/33
"Lady Brenda" ('Harper's Bazaar' December, 1958)
12 page carbon typescript titled "The Adventuress" scored through with "Lady Brenda" in holograph and heavy holograph revision
8 page carbon typescript, clean
A/34
"Lady in Dublin" ('Today's Woman' October, 1946)
14 page clean typescript titled "Lady of the Sagas"
A/34.1
"Landlady" tearsheets from Penguin New Writing, No. 37, 1949)

A/35
"Last Post" ('Irish Times' November 1941)
12 page typescript (one page is a carbon on long, legal size paper with a few marginal notes, apparently cues for a radio broadcast
A/35.1
"Legal Aid" ("Case for the Roarer") - tearsheet

A/36
"A Life of Your Own" ('Saturday Evening Post' 13 February, 1965; Collection Three, 1969)
8 page clean typescript titled "Sanctuary"
8 page carbon of above, extensively revised in holograph adding new title, "A Life of Your Own
6 page clean typescript titled "Living Alone" scored through with "A House of One's Own" in holograph
8 page carbon typescript with a one-word holograph change
Tearsheets from magazine publication
A/37
"The Little Mother" ('Harper's Bazaar' July, 1953; More Stories, 1954 and Collection Three, 1969)
18 page carbon typescript, lightly corrected in holograph, with an additional carbon of the first page
41 page typescript, double spaced, very heavily revised in holograph with many new insertions
18 page carbon typescript heavily revised and expanded in holograph
23 page carbon typescript with extensive holograph revision
27 page typescript, clean, with additional typed text on versos, some with holograph emendation
19 page clean typescript
19 page carbon of above, lightly corrected and revised in holograph
6 page holograph manuscript of the end only, dated 10.4.52
25 page mixed ribbon and carbon typescript, heavily revised in holograph
12 page carbon typescript, clean
42 page typescript, lightly corrected in holograph
14 page fragmentary carbon of portions from above draft, lightly revised in holograph
41 page typescript, very heavily and extensively revised in holograph
41 page clean carbon of above draft
tear sheets from magazine publication
A/38
"Lonely Rock" ('Harper's Bazaar' October 1954; More Stories, 1954)
17 page typescript, clean
16 page mixed ribbon and carbon typescript, very lightly corrected in holograph
Galleys from magazine publication, lightly corrected
A/39
"Long Road to Ummera" ('The Bell' October, 1940; Crab Apple Jelly, 1944; The Stories of Frank O'Connor, 1952 and Stories by ..., 1956)
12 page half carbon, half ribbon typescript, clean, dated 2-9-40. Used for a radio reading (2 versions "The Long Road" and "On the Long Road")
A/40
"Lost Fatherlands" ('New Yorker' 8 May, 1954; Collection Three. 1969)
4 page fragmentary typescript titled "The Lost Child," with some holograph emendation
9 page carbon typescript titled "The Lost Child," extensively revised in holograph
11 page clean typescript
11 page carbon of above draft, lightly corrected in holograph
A/40.1
"Mac's Masterpiece" - xerox, as in Short Stories for Study, N.Y., 1941
PI>A/41
"The Mad Lomasneys" (Crab Apple Jelly, 1944; More Studies, 1954; Stories By Frank O'Connor, 1956 and Collection Two, 1964)
27 page typescript with one word changed in holograph
25 page typescript, clean, transcribed from Crab Apple Jelly probably in preparation of Collection Two
A/42
"The Majesty of the Law" ('Fortnightly Review' August, 1935; 'Daily Express' 23 September, 1935; Bones of Contention, 1936; Selected Stories, 1946; The Stones of ..., 1952 and My Oedipus Complex, 1963)
14 page typescript with a few holograph revisions and a number of marginal cues for a radio broadcast in a different hand: read on BBC 20 January, 1948; tearsheets
A/43
"The Man of the House" ('New Yorker' 28 July, 1956; Domestic Relations,1957)
9 page typescript, clean
9 page carbon typescript with very few holographs
10 page carbon typescript (first page ribbon), clean
A/44
"The Man of the World" ('New Yorker' 28 July, 1956; Domestic Relations, 1957)
8 page clean typescript titled "A Knowing Smile"
9 page carbon typescript with very few holograph emendations
10 page carbon typescript (first page ribbon), clean
A/45
"The Martyr" ('John Bull Magazine' 15 December, 1951;'Harper's' February, 1953; Collection Three, 1969)
12 page clean typescript
Partial carbon of above, missing two middle pages
Tearsheets from magazine publication
A/45.1
"Masculine Principle," tearsheets

A/46
"Masculine Protest" ('New Yorker' 28 June, 1952; More Stories, 1954; Collection Three, 1969)
12 page clean typescript
12 page carbon of above draft with a few holograph revisions
9 page clean typescript
9 page carbon of above draft with very few holograph revisions
Tearsheets from magazine publication
A/47
"The Mass Island" ('New Yorker' 10 January, 1959; Collection Three, 1969)
8 page holograph manuscript with different title
6 page typescript titled "The Priest's Funeral" very heavily revised in holograph with substantial insertions
6 fragmentary pages of carbon typescript with holograph emendations
10 page carbon typescript, clean
Tearsheets from magazine publication
A/47.1
"Michael's Wife," tearsheets

A/48
"A Minority" ('New Yorker' 28 September, 1957; 'Irish Press' January, 1969; Collection Three, 1969)
7 page typescript with a few marks in an unknown hand, titled "A Minority Group"
8 page carbon typescript with a few holograph emendations
8 page carbon of above draft, clean
Tearsheets from magazine publication
A/49
"The Miracle" (The Common Chord, 1947; More Stories, 1954; Collection Two, 1969)
11 page clean typescript
10 photocopies typescript of a variant draft
A/50
"This Mortal Coil" ('New American Mercury' December, 1950; Traveller's Samples, 1951; Collection Two, 1964)
10 page clean typescript
13 page carbon typescript lightly corrected in holograph
Tearsheets from magazine publication
A/51
"A Mother's Warning" ('Saturday Evening Post' 7 October, 1957; Traveller's Samples, 1951; Collection Two, 1964)
10 page clean typescript
10 page carbon of above draft with a few holograph emendations
A/52
"Music When Soft Voices Die" ('New Yorker' 11 January, 1958; Collection Three, 1969)
10 page carbon typescript titled "Listening to Girls," clean
13 page typescript titled "Girls Talking," clean
14 page typescript titled "Girls Talking," clean
14 page carbon of above draft
10 page typescript, mispaginated with a few holograph emendations and a letter from a 'New Yorker' editor
A/52.1
"My Da" tearsheets

A/53
"My First Protestant" ('Traveller's Samples, 1951; More Stories, 1954; Collection Two, 1964)
10 page clean typescript
10 page clean typescript from a different version, transcribed from Traveller's Samples
A/54
"My Oedipus Complex" ('To-Day's Woman' December, 1950; 'Irish Writing,' November, 1952; The Stories of..., 1952; Stories By ..., 1956; My Oedipus Complex and Other Stories, 1963)
9 page carbon typescript, clean
Tearsheets from magazine publication
A/54.1
"News for the Church" tearsheets

A/55
"The Old Faith" (More Stones, 1954; Collection Two, 1954)
10 page typescript, very lightly revised in holograph
Tearsheets from unidentified magazine appearance as "The Soul of the Bishop."
Xerox typescript of another version
A/56
"Old Fellows" ('The Bell' January, 1941; Crab Apple Jelly, 1944)
6 page clean typescript dated 16 September, 1940
A/57
"Orphans" ('Mademoiselle' July, 1956; Domestic Relations, 1957)
4 page clean typescript
6 page typescript titled "Marjorie" scored through with "Orphans" in holograph and extensive holograph revisions
7 page clean typescript
9 page carbon typescript extensively revised in holograph
8 page carbon typescript with extensive holograph revisions
10 page clean typescript
6 page carbon typescript, clean
Tearsheets from magazine publication
A/58
"Orpheus and His Lute" ('Esquire' January, 1936; Bones of Contention, 1936; More Stories, 1954; Stories By..., 1956)
9 page typescript with a few light holograph emendations
Tearsheets
A/59
"An Out and Out Free Gift" ('New Yorker' 26 October, 1957; 'Woman's Realm' January, 1969; Collection Three, 1969)
6 page typescript titled "A Spring Night" very heavily revised in holograph
6 page carbon typescript titled "The Liar" with some holograph revision
9 page typescript titled "The Liar" with one holograph change
9 page carbon of above draft with extensive holograph revision
10 page carbon typescript, clean
Tearsheets from magazine publication
A/60
"The Paragon" ('Esquire' October, 1957; Domestic Relations, 1957; My Oedipus Complex and Other Stories, 1963)
9 page holograph manuscript titled "Mother's Boy" scored through with "The Paragon" replacing it as title
10 page carbon typescript with very light holograph emendation
12 page clean typescript
7 page typescript with light holograph revision
14 page carbon typescript, clean
14 page carbon typescript with some holograph revision, especially heavy at the end
13 page typescript lightly revised in holograph
19 page carbon typescript with extensive, frequent holograph revisions
20 page carbon typescript with extensive holograph revisions
Tearsheets from magazine publication
A/61
"The Pariah" ('New Yorker' 8 September, 1956; Domestic Relations, 1957)
7 page typescript titled "Among Girls" with extensive holograph revision
12 page carbon typescript with very extensive holograph revisions
Tearsheets from magazine publication
A/62
"The Party" ('New Yorker' 14 December, 1957; Collection Three, 1969)
9 page carbon typescript with some light holograph corrections
7 page carbon typescript titled "Fathers and Children" scored through with new title in holograph (indecipherable, extensive holograph revisions
8 page clean typescript with two alternate-draft pages
Galleys from magazine publication, no corrections
Tearsheets from magazine publication
A/63
"Pity" ('New Yorker' as "Francis" 13 November, 1954; Domestic Relations, 1957; My Oedipus Complex and Other Stories, 1963)
3 page holograph manuscript titled "A Matter of Patriotism"
8 page clean typescript titled "At School" with a 2 page carbon headed "Loyalties"
3 page clean typescript with a carbon of same
8 page typescript titled "Francis" extensively revised in holograph
Tearsheets from magazine publication
A/63.1
"Pretender" tearsheets

A/64
"Private Property" ('Evening News' June, 1950; Domestic Relations, 1957; Collection Three, 1969)
8 page typescript, lightly revised in holograph
8 page carbon of above draft lightly revised, noted: "Removed from MS of More Stories of Frank O'Connor as per Don Congdon's letter of 5-6-54"
12 page carbon typescript with one holograph change
11 page clean typescript, signed
11 page carbon of above draft, lightly revised in holograph
11 page clean typescript
A/65
"Procession of Life" (Guests of the Nation, 1931; Collection Two, 1964)
11 page typescript titled "A Night Out" with very few holograph emendations
11 carbon of above draft with addition revision in holograph
A/66
"Public Opinion" ('Mademoiselle' September, 1957; Collection Three, 1969)
7 page typescript titled "Behind the Iron Curtain" clean
7 page typescript titled "The Individualist" clean
7 page carbon of above draft, lacking last leaf, heavily revised in holograph
5 page clean typescript
8 page carbon typescript, double spaced on long, legal size paper, clean
A/67
"The Rebel"

A/68
"Requiem" ('New Yorker' 29 June, 1957; Collection Three; 1969)
5 page typescript titled "In Memoriam" with several holograph insertions and emendations
6 page carbon typescript titled "In Memoriam" lightly revised
7 page clean typescript titled "In Memoriam"
Typescript "Requiem"
Typescript carbon "Requiem"
A/68.1
"A Romantic" typescripts (3)

A/68.2
"The Saint"
Typescript
Carbon
Typed list of changes
A/68.3
"A Salesman's Romance" ("Woman")
Typescript
Carbon
Tearsheets
A/68.4
"School for Wives" ("Don Juan Married") typescripts and tearsheets, various titles and states

A/69
"A Sense of Responsibility" ('New Yorker' 2 August, 1952; More Stories, 1954; Collection Two, 1964)
16 page typescript, clean
21 page typescript, extensively corrected and emended in holograph
12 page carbon typescript, clean, mispaginated
21 page clean typescript
2 page partial carbon typescript with a few corrections and a lengthy holograph note on the verso of the last page
17 page clean typescript
Tearsheets from magazine publication
A/70
"The Sentry" ('Harper's Bazaar' January, 1950; Traveller's Samples, 1951; More Stories, 1954; Collection Two, 1964)
11 page clean typescript, possible transcribed from Traveller's Samples
11 page typescript titled "The National Character" with "The Sentry" in Harriet Sheehy hand, two minor holograph corrections
Tearsheets from magazine publication
A/71
"The Shepherds" (Crab Apple Jelly, 1944; as "The Star That Bids the Shepherds Fold"; More Stories, 1954; Collection Two, 1964)
10 page typescript with few light corrections in hologram
Photocopy of different draft
A/72
"The Sisters" ('Guests of the Nation' 1931)
2 page partial typescript with extensive holograph notation on the verso of the second page
4 page mixed ribbon and carbon typescript
A72.1
"Song Without Words" tearsheets

A/73
"The Sorcerer's Apprentice" ('Harper's Bazaar' August, 1954, as "Don Juan's Apprentice"; More Stories, 1954; Collection Two, 1964)
9 page clean typescript titled "Don Juan's Apprentice"
9 page clean typescript, mispaginated
18 page double spaced typescript, lightly corrected in holograph
18 page carbon of above draft, clean
19 page clean
12 page carbon of typescript heavily corrected in holograph
13 page typescript lightly corrected in holograph
5 page partial typescript with some holograph revision
Tearsheets from magazine publication
A/74
"A Story By Maupassant" (Penguin New Writing, 1945; Collection Three, 1969)
14 page carbon typescript extensively corrected in holograph
Photocopy of a different draft
Tearsheets from anthology publication
A/75
"The Study of History" ('New Yorker' 9 March, 1957; Domestic Relations, 1957; My Oedipus Complex and Other Stories, 1963)
6 page carbon typescript titled "The Realist" extensively corrected in holograph
7 page clean typescript
10 page clean typescript, signed (as published in 'New Yorker')
10 page carbon of above version with some holograph revision
Tearsheets from magazine publication
A/76
"Sue" ('New Yorker' 27 September, 1958; Collection Three, 1969)
4 page carbon typescript titled "Dreamers--The Magnanimous Lady" clean
8 page carbon typescript, lightly corrected in holograph
1 page fragmentary carbon typescript, clean
11 page typescript, setting copy with editorial notes
Tearsheets from a subsequent publication in 'Irish Press' 15 March, 1969
A/77
"The Teacher's Mass" ('New Yorker' 30 April, 1955; Collection Three, 1969)
6 page holograph manuscript titled "The Last Man"
10 page carbon typescript from two drafts, very lightly corrected in holograph
Tearsheets from two magazine publications in New Yorker
A/78
"A Torrent Be Damned" ('New Yorker' 30 April, 1955; More Stories, 1954)
8 page typescript titled "The City Man" extensively revised in holograph
3 page partial typescript, clean, with carbon of same
14 page clean typescript with carbon of same
12 page typescript with one holograph correction
Tearsheets from magazine publication with one holograph note
A/79
"The Ugly Duckling" ('Saturday Evening Post' 19 January, 1957, as "That Ryan Woman"; Domestic Relations, 1957; My Oedipus Complex, 1963)
4 page partial typescript titled "The Miracle" with several holograph emendations
13 page clean typescript titled "The Miracle" missing a page
Complete carbon of above draft with heavy holograph revisions
17 page clean typescript titled "Beauty"
18 page carbon typescript with several holograph revisions
19 page carbon typescript with extensive holograph revision
Tearsheets from magazine publication
A/80
"Unapproved Rouse" ('New Yorker' 27 September, 1952; More Stories, 1954; Collection Three, 1969)
6 page holograph manuscript titled "Magnanimity"
3 page clean typescript with carbon of same
12 page clean typescript, mispaginated
16 page clean typescript
16 page carbon of above draft lightly corrected in holograph
10 page carbon typescript with a few light holograph changes
Tearsheets from magazine publication
A/81
"Uncle Pat"
13 page typescript, lightly corrected in holograph
A/82
"Vanity" ('New Yorker' 18 July, 1953; More Stories, 1954; Collection Two, 1964)
9 page clean typescript titled "Shame" with "Vanity" in Harriet Sheehy's hand
14 page clean typescript
9 page clean typescript
9 page clean typescript
2 page fragmentary typescript, clean
Tearsheets from magazine publication
A/83
"Variations on a Theme" ('New Yorker' 30 April, 1960; Collection Three, 1969)
24 page typescript titled "The Hireling" mispaginated with very heavy holograph correction and emendation
Carbon of above draft, clean
13 page typescript very heavily emended and expanded in holograph
21 page carbon typescript, extensively corrected in holograph
26 page typescript, setting copy with editorial notations
26 page carbon of above draft, lightly corrected in holograph
3 page fragmentary typescript, lightly corrected in holograph
Galleys from magazine publication, lightly but extensively corrected in holograph
Tearsheets from magazine publication
A/84
"Orpheus in Exile" ("The Victim")
10 page carbon typescript with frequent holograph corrections and emendations, with a number of editorial notes by Harriet Sheehy
9 page carbon typescript titled "The Victim" with frequent holograph corrections throughout
A/85
"The Voice of God, of Justice"
4 page holograph manuscript
12 page typescript lightly corrected in holograph
8 page typescript lightly corrected in holograph
A/86
"The Weeping Children" ('New Yorker' 21 January, 1961;Collection Two, 1964; Collection Three, 1969)
2 page fragmentary typescript titled "Little Girl Lost," clean
15 page clean typescript titled "Limbo"
8 page typescript titled "Limbo" with scattered holograph corrections
8 page clean typescript with carbon of same
A/87
"What Girls Are For" ('Collier's' 17 March, 1951; 'John Bull' 14 July, 1951)
5 page partial typescript titled "The Chief Gang Leader," clean, with carbon of second page
1 page typescript, clean
Tearsheets from magazine publication
A/88
"The World of Art and Reilly" ('Vogue' July, 1948)
8 page typescript, lightly corrected in holograph
A/89
"The Wreath" ('Atlantic Monthly' November, 1955; 'Kilkenny Magazine,' Summer, 1962; Collection Two, 1964; Collection Three, 1969)
6 page carbon typescript, clean
7 page carbon typescript with holograph emendation on first page
4 page fragmentary carbon typescript with extensive holograph revisions
11 page carbon typescript heavily corrected in holograph
11 page clean typescript, different draft
12 page clean typescript
Letter to Frank O'Connor from Seymour Lawrence, Atlantic Monthly editor

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